Within a group of manuscripts, made in the circle around Jeanne II of Navarre in the 1330's (BnF, Ms. fr. 5716; BnF, Ms. n. a. lat. 3145; Ms. fr. 13568), several miniatures show distinguished figures that not only appear as witnesses inside the pictured scene but also serve as links between the manuscripts. The motivations of some of these figures lies beyond the content of the depicted scenes or the logic of pictorial composition, which leads to the conclusion that these figures convey the political intentions of their patroness. By means of those figures, who function as eye-witnesses, the article traces Jeanne's influence on the image of St. Louis as well as the relations between the audiences within and without the miniatures.